PROSPECTUS:

JUROR: CHRISTY CULP

Schedule:

Online Application Closes: Saturday, June 20, 2026

Notification Begins via Email: Monday, July 6, 2026

Shipped Works Due: Saturday, July 25, 2026

Hand-Delivered Work Due: By Saturday, July 25, 2026

Exhibition Dates: August 8, 2026 – September 12, 2026

Return Shipping of Unsold Work: September 16 - 19, 2026

Hand-Delivered Unsold Works Picked Up: Contact wendy@ologygallery.com to schedule.

Specifications:

The application is open to all U.S. artists age 18 and older working in clay. “Fur, Feathers, Familiars” invites artists to submit sculptural and functional work inspired by the animal kingdom. Functional pieces may take the form of an animal or incorporate decorative elements that reference a specific species. Sculptural work may be realistic or abstract, provided the abstraction is clearly rooted in a real-world animal.

This is a juried exhibition with ceramic artist Christy Culp serving as juror. Entries will be reviewed digitally. Artists may submit 1–4 original works. All work must be for sale and priced under $500 per piece.

Accepted artists will also be eligible for a Best in Show award of $250. Please note that works delivered must match the submitted images; pieces that differ significantly from their entry photos may be disqualified.

To Apply:

Images should be submitted as jpegs and sized at 300dpi minimum. Images should also be labeled with the name of the piece. The artist should also provide dimensions (Height” x Width” x Depth”), clay body, glazing and firing technique, and sale price,* in the submission email. For promotional purposes, artists should also include professional websites and social media accounts. The application fee is $25.00 for up to four submissions. See HOW TO ENTER at the bottom of the page to submit.

Entry Restrictions:

All works must be made primarily from clay and meet the specifications of the show.  Selected pieces must be available for the duration of the exhibition.

Notification:

Notification of accepted works will begin July 6, 2026, via email. Artists’ contracts and show prospectus will be included as an attachment.

Award:

All accepted entries will be eligible for the “Best in Show” award. Artists need not be present to win. The winner will receive a monetary reward of $250.

Opening Night and Closing Reception:

Opening night will be August 8, 2026, 5:30-8pm. Closing Reception will be September 12, 2026, 5:30-7:30 pm. Artists are welcome and encouraged to attend.

Shipping and Insurance:

The Artist is responsible for shipping artwork to and from the Gallery at their own expense. Shipped works must be sent in a reusable package. Artist will be responsible for compensating Ology for the cost of return shipping for unsold works. Due to limited storage, the Gallery must be compensated for postage within 30 days of email notification. If payment for shipping is not received within that one (1) month window, the artwork will be considered abandoned and will become the property of Ology Gallery, to be handled at the Gallery’s sole discretion No artwork may be removed from the exhibition until after the conclusion of the show.

*Commission:

In the event of a sale the Artist shall retain 60% of the purchase price with the remaining 40% of the purchase price to be paid to Ology as a commission for the exhibition. Please see “Pricing Your Work for a Gallery Show” at the conclusion of the prospectus for more information.

About Juror Christy Culp:

Christy Culp started working in clay at Indiana University of Pennsylvania when studying for her teaching degree in 1991. When not teaching high school art, she can be found in her barn studio which was featured in Ceramics Monthly “Studio Visit” in the fall of 2023. She has given workshops, lectures and curated cup shows in Western Pennsylvania and nationally for the K-12 Programming at the National Council for the Education of the Ceramics Arts. She has been featured on several pottery podcasts, including Ben Carter’s “Tales of a Red Clay Rambler. Most recently, Christy’s work was featured in “The Complete Guide to Low Fire Ceramics.” Her work is included in The Rosenfield Collection and can be found at Charlie Cummings Gallery.

A submitted email signifies the artist's understanding and agreement with the terms and conditions stated herein.

Contact Information: Wendy Melton | wendy@ologygallery.com

PRICING YOUR WORK FOR A GALLERY SHOW

1.     Keep your retail prices consistent everywhere.

2.     Do NOT charge more in the gallery than on your website, studio, or vendor booth.

Why?

  • If a collector finds the same mug or vase cheaper online or in your studio / vendor booth, they will feel misled.

  • Galleries expect pricing parity — the retail price should be the same whether it sells online, in your studio, vendor booth, or on the gallery wall.

  • Consistent pricing keeps your brand clean and avoids awkward situations.

 

How the Cut Works

A typical gallery commission is:

  • 40% gallery / 60% artist

  • Sometimes 50/50 for high-end spaces

  • 25–35% for artist-run or pop-up spaces

Whatever the split is, your retail price stays the same.

Example:

Your website price for a vase: $200 retail.

Gallery takes 40% → they get $80, you get $120.

You do NOT raise the retail price to $250 to “make up” the commission.

 

What if your website prices are too low to support gallery commissions?

Then it’s time to adjust your overall retail pricing.

Many artists undercharge online / in person and only realize it’s unsustainable when entering gallery shows.

 Raise your prices across all sales channels.

 Keep them consistent everywhere.

 Let the gallery earn their commission honestly through exposure, marketing, curation, and sales work.

 

When it is okay for gallery work to cost more. . .

There are a few exceptions where higher pricing is expected, acceptable, and smart:

 

1. Exhibition-EXCLUSIVE pieces

If you create a special collection only for the show, it naturally values higher:

  • More time invested.

  • Larger or more intricate work.

  • Unique sculptural pieces.

  • One-of-a-kind themed series.

2. Higher packing, transport, or shipping costs

Especially for:

  • Large sculpture.

  • Oversized work.

The retail price can reflect this — just keep it consistent across your sales channels.

 

Bottom Line

 Don’t raise gallery prices above your website, studio, or vendor booth prices.

 Do keep consistent retail pricing everywhere.

 Adjust your whole pricing structure if needed.

 Create special show-only collections if you want to offer higher-priced artwork.

HOW TO SUMBIT

To enter your submission, follow the entry fee button to Shop Ology and add “Submission” to your cart. After you have paid the Entry Fee, please continue your submission using the email button below.

All submissions must be received by Saturday, June 20, 2026, 12 AM EST

Include:

  • Name, First & Last

  • Email

  • Phone

  • Website / Social links

  • For each entry submitted, limit 4:

    • Title

    • Dimensions

    • Clay body

    • Glaze and Firing information

    • Sale price

  • Attach up to 3 images per submission. Limit 4 entries. Please include high-definition photos.

You can email us directly at: wendy@ologygallery.com